GTJK-173 Torture and Flesh Doll: Yuri Adachi

Masochistic actress Yuri Adachi made her debut in Dogma’s SM field. The Torture and Flesh Doll series began eight years ago with Hana Kanno, and under director TOHJIRO, four actresses have appeared in it. One reason the series has become less frequent is that the flesh-doll restraint setup is extremely demanding. Yuri Adachi is an advanced yoga practitioner, so she was able to hold that shape on a mat. But the moment she was restrained and suspended in the air, her body was compressed, and she gave up in less than a few minutes. Just how difficult is it to perform in that condition?

From the package shoot and image shoot to the flesh-doll scenes, even for a short time, she had to do that unusual restraint setup three times in one day. In anything, there has to be a process, and I wondered several times whether this project was too ambitious for her first Dogma bondage work. Still, we decided to do everything we could. Since there was no bathtub in the studio, we prepared a large plastic tub big enough for a person to sit in, had her bathe to improve circulation, and then did careful stretching. Ren Nuegami, the bondage specialist, worked desperately to find the best possible form for her.

When filming began, she opened the door to a level of torture that brought her close to losing control. She screamed, and her face was covered in tears and sweat. Her mind was crying out. She says that once she reaches a life-threatening zone, she feels like she would not mind dying as she is. The theme of Dogma’s Torture Series is raw, intense eroticism shown by a woman laid bare. It is by no means a psychopathic AV series meant to show cruelty, brutality, or gruesome violence. The question is whether one can awaken to ecstasy through intense pain and enter a trance-like state.

I could sense Yuri Adachi’s resolve. And both the person who subjects her to it and the person filming it are being tested. When I met her before filming, she said something to me: I want to know my own limits. I still haven’t found them. What, I wonder, did she see beyond the horizon of her limits? (Normal KIM)